8 DAYS II – Call for Participants

PUBLIC RECORDINGS

CALL FOR PARTICIPANTS

8 DAYS II

A GATHERING OF CHOREOGRAPHERS AT TEN FIFTEEN MAPLE & THE DANCE CENTRE

AUGUST 10-18, 2013


Held over eight days, 8 DAYS is an intensive encounter for Canadian choreographers. The gathering values curiosity, creative risk-taking and reflection with a fluidity around the notions of theory and practice in order to engender the deepening of choreographic practice.

Selected by open call, six Canadian choreographers from across the country will be invited to join six past participants of the inaugural 8 DAYS. These 12 artists will embark on a co-authored adventure influenced by its surroundings, created by those who are present, and guided by their overlapping experience as choreographers. Participants are asked to arrive with an openness about what this encounter might be, a willingness to expose and share, and a rigour around intellectual and artistic exchange.

The ongoing 8 DAYS project addresses a need for peer-to-peer choreographic development in Canada, insisting that it is a mode that is crucial to the continued relevance of the art form. The question of how we practice is intimately related to what we create – understanding theory and practice, talking and making, doing and reflecting, as interwoven threads of creative development.  Here we can provoke and invigorate this question, and explore our practices in dialogue with other makers.

With everyday realities suspended for a time, 8 DAYS is an opportunity to escape the pressures of production-driven work in order to expand creative ideas and to imagine new ways of working. It creates space to reflect on one’s current practice and to envision – through dialogue and experimentation – new artistic possibilities.

Each participant will be responsible for facilitating and/or planning a portion of the shared time. The days will be divided between different activities, with participants responsible for the organization of modules. A typical day might include blocks for sharing work, studio-based exploration, and/or open discussion as well as shared meals and time for leisure and personal reflection.

The larger community will engage with 8 DAYS through its documentation and the subsequent dissemination of this material. Each participant will be asked to respond to the concept of documentation in order to share the experience with other dance professionals whom have not attended. To this end, each participant will create reflective responses that will be produced during or immediately following the gathering. This co-authored documentation will then be disseminated via a framework determined by the participants in order to share the process and its outcomes.

Logistical Details
8 DAYS will be held at ten fifteen maple in Vancouver, BC. Situated in Hadden Park, ten fifteen maple is an 850 sq. foot, beach-side field house outfitted with a full kitchen and two small work spaces. Surrounded by public parks and nestled between the Maritime Museum and Kits Beach, it is currently the shared studio for artists Rebecca Bayer, Justine A. Chambers, Josh Hite, Billy Marchenski and Kristen Roos whose collective research is rooted in psycho geography and phenomenology. A large dance studio will be available for the duration of the encounter at The Dance Centre, just a short aqua bus ride away.

The participating artists will arrive on Saturday, August 10th, and depart Sunday, August 18th. Public Recordings has applied for funding to cover travel costs, off-site accommodation and meals. Funding results should be known by the beginning of March 2013. Participants are encouraged to seek further funding to support their participation.

DEADLINE: Jan 21, 2013
Please submit a letter of interest and recent biography in addition to any work samples that are relevant to contextualize your application. The letter of interest should detail your current choreographic concerns and address how participation in this encounter might enrich your practice. Please keep your responses brief and select any support material carefully with the aim of addressing this specific opportunity.

Applications can be submitted in English or French. Please note: the working language will be in English.

All materials must be submitted electronically. Support materials must be included as an attachment or available online. Make sure to include all necessary links and access information. Please note, applications sent by mail cannot be processed.

For more information and to apply: eightdays (at) publicrecordings (dot) org

tenfifteen maple

Follow the activities/musings and creations of the artists of tenfifteen maple here:
http://tenfifteenmaple.org

the artists:

rebecca bayer
justine a. chambers
josh hite
billy marchenski
kristen roos

Our projects will collaborate with the Hadden park community on works investigating psychogeographical relationships between local histories and forms of mapping. Through sound, collective recordings, temporary installations, performances, screenings, workshops, conversations and dinners, the projects will be informed by people and their activities within the park.

field house residency

for the next 2 and a bit years josh hite (visual artist), billy marchenski (theatre/movement artist), rebecca bayer (architect/visual artist), kristen roos (sound artist) and i will be in residence at the hadden park field house.

here’s what the vancouver sun extrapolated from a conversation with josh hite:

http://www.vancouversun.com/entertainment/Vancouver+park+board+converts+seven+more+vacant+field+houses/7328260/story.html

the talking, thinking, dancing body

The Talking, Thinking, Dancing Body is a conversation about aesthetics, context and artistic processes. Grounded in the experience of observing dance in both performance and rehearsal, this conversation will be amplified and facilitated by battery opera’s Artistic Director Lee Su-Feh and Vancouver-based dancer, teacher, choreographer Justine Chambers – two opinionated and charismatic artists with a rich and varied dance experience to draw from.

For the logistics go to:

http://www.batteryopera.com/the-talking-thinking-dancing-body/

Dance All Sorts: May 13, 2012

Sunday May 13 @ 2:00 p.m.
Justine A. Chambers + Arts Umbrella
Roundhouse Community Arts and Rec Centre
Pay-what-you-can (children 12 and under + moms are FREE*)
Reserve tickets at EventBrite.com

 
Justine A. Chambers is a Vancouver-based contemporary dance artist. Her piece for Dance Allsorts, A Study for Enters and Exits, is an iteration of a larger in-progress work, Enters and Exits.
Established in 1985, Arts Umbrella Dance Company is a Vancouver-based repertory company for select members of the school’s professional dance program. They will perform four short pieces.
 
And remember! In honour of Mother’s Day, Mom’s will get in free! Bring your mom to the Sunday May 13th Dance Allsorts performance and she gets in FREE! Because you don’t have to spend a dime to show her that you care.

art, artists and art places

marilous lemmens and richard ibghyhttp://www.ibghylemmens.com/index.html

mikko hynninen – http://www.mikkohynninen.net/

14 lieux http://www.14lieux.com/

miguel gutierrez and the powerful people http://www.miguelgutierrez.org/

olafur eliasson – http://www.olafureliasson.net/

andrea zittel – http://www.zittel.org/

circuit est – http://www.circuit-est.qc.ca/fr

studio 303http://www.studio303.ca/%20-/

oliver larichttp://oliverlaric.com/

contemporary dance video databasehttp://contemporarydance-db.blogspot.com/search/label/hans%20van%20manen

propeller centre for the arts – http://www.propellerctr.com/

danscentrumjette http://www.danscentrumjette.be/

mono clothing/heather martin http://monoclothing.ca/

out innerspace dance theatrehttp://www.outinnerspace.ca/

Susan Rethorst

Susan Rethorst

New York, New York

Born 1951, Washington, D.C.

In the last few years I have come across the following words that I find useful in attempting to articulate what I do –

quiddity – the essence of a person or thing; what makes a thing what it is…what makes a movement what it is

qualia – the ineffable in experience, that for which there is no substitution, for which description will always fall short, that which can only be known through experience, (i.e. the smell of thyme, that twirly arm thingey movement done by that person in that place at that moment in the dance)

inwit – from old english; in from interior, wit from knowledge

I believe dance acts on us. I am interested in working with how and why it acts on us; its effect/affect.

The ways I work are immediate and intuitive, collaborating with circumstances, trusting my ideas and self to manifest through the choices I make.

I ask myself in the studio what is this movement doing? How is it acting on me? Where does it take me, leave me? What does it dictate about what else there should be? What is it, its nature? What does it bring to my conscious self and how? How is it that it lays bare who I am, what I think, what I know?

In my work, I rely on these ineffable dimensions of movement; the extraordinary phenomenon that we study every day as we decide who to talk to, where to sit on the bus and what we think; we read every situation through movement. To make performance out of this aspect of our nature, this phenomena, is what fascinates me.